General
Complete name : Love Sick.avi
Format : AVI
Format/Info : Audio Video Interleave
Format settings : BitmapInfoHeader / WaveFormatEx
File size : 701 MiB
Duration : 1 h 26 min
Overall bit rate mode : Variable
Overall bit rate : 1 128 kb/s
Frame rate : 25.000 FPS
Writing application : VirtualDubMod 1.5.4.1 (build 2178/release)
Writing library : VirtualDubMod build 2178/release
Video
ID : 0
Format : MPEG-4 Visual
Format profile : Advanced Simple@L5
Format settings : BVOP1
Format settings, BVOP : 1
Format settings, QPel : No
Format settings, GMC : No warppoints
Format settings, Matrix : Default (H.263)
Muxing mode : Packed bitstream
Codec ID : XVID
Codec ID/Hint : XviD
Duration : 1 h 26 min
Bit rate : 1 012 kb/s
Width : 592 pixels
Height : 336 pixels
Display aspect ratio : 16:9
Frame rate : 25.000 FPS
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Compression mode : Lossy
Bits/(Pixel*Frame) : 0.204
Stream size : 629 MiB (90%)
Writing library : XviD 1.2.0SMP (2006-01-08)
Audio
ID : 1
Format : MPEG Audio
Format version : Version 1
Format profile : Layer 3
Format settings : Joint stereo
Codec ID : 55
Codec ID/Hint : MP3
Duration : 1 h 26 min
Bit rate mode : Variable
Bit rate : 102 kb/s
Nominal bit rate : 128 kb/s
Channel(s) : 2 channels
Sampling rate : 48.0 kHz
Frame rate : 41.667 FPS (1152 SPF)
Compression mode : Lossy
Stream size : 63.7 MiB (9%)
Alignment : Aligned on interleaves
Interleave, duration : 24 ms (0.60 video frame)
Interleave, preload duration : 243 ms
Writing library : LAME3.97b
Encoding settings : -m j -V 4 -q 2 -lowpass 17 --abr 128
Quote:
Drama
Rumunsko, 2006, 85 min
Režie: Tudor Giurgiu
Quote:
První velká láska a první hluboké zklamání mohou mít různou podobu, ale bolest, jež je provází, bývá stejná. A nezáleží na tom, zda se milují partneři opačného, nebo stejného pohlaví. V Bukurešti na univerzitě se potkají dvě dívky a poté, co si Alex pronajme pokojík ve stejném domě, kde bydlí i Kiki s rodiči, se z nich stanou nerozlučné kamarádky. Alex je pilná studentka a poslušná dcera prostých rodičů z venkova, Kiki skrývá svou citovou nevyrovnanost za maskou teatrální výstřednosti. Chová v sobě i jakési podivné rodinné tajemství, probleskující v záchvatech žárlivosti jejího bratra Sandu. Když kamarádství přeroste v lásku, dívky zasáhne nelehké morální i citové dilema. Mají svým blízkým říci pravdu, nebo svou orientaci dál skrývat?
Quote:
Jemný, skromný a na pohled příjemný malý film, který mi tak nějak zapadl do trojice se švédským "Zasraným Amalem" a britským "Mým létem lásky", začíná úsměvně a končí melancholicky. Český název odvádí od jádra: příběhu vládnou nikoli "jiné", nýbrž "nemocné" vztahy, ať už mezi sourozenci nebo mezi rodiči a dětmi, minulostí a přítomností Rumunska, jeho městem a venkovem...
Quote:
A Romanian film featuring love between two young women as well as one woman's brother
I saw this film at the Chicago Reeling film festival. To pick up on the previous reviewer's remarks, the claustrophobic feel and off colors of the film is I sense quite intentional and conveys the sense of limited space, drab architecture, overall drabness that constitutes the urban environment of most people in Eastern and Central Europe. A bit shabby housing project style is how I'd describe it, and this is how many people live on the outskirts of larger cities. I can't say that I'm familiar with Bucharest, Romania where the action unfolded, but I have visited and lived in Eastern Europe for six months.
When I visited Russia as a student for a semester, my entire group had to drag their luggage seven stories up the staircase of a shabby student dorm building, just as the heroine does when moving in with a woman, because the elevators weren't working. But, I do concur with the reviewer, that the claustrophobia and muted colors, it's overdone, for there are, to be sure, beautiful historic buildings, parks, squares you can find in Bucharest or in any historic city center of Eastern Europe, and Bucharest's didn't get much of any footage in this film. For me watching this film conveys well the claustrophobia that I would feel during my half-year stay there, feeling trapped and limited. (It makes you see why someone would want to immigrate and find a better life, just as people if hope to escape from a United States urban ghetto.)
Also, given the climate of homophobia, say, circa, US in the 1980s, the two young women who fall in love with one another are forced to keep their love a very private matter; hence, the focus on their interaction in the apartment.
It's remarkable and commendable in my view that this queer themed film was even made in Romania, and I find the complaint of the previous reviewer about the poor film quality quite uninformed and patronizing. It's unlikely that the director and producer drummed up much government support and funding for their film, and they did the best they could with their likely limited resources. The actors were fairly good and believable; the dialog was overall well done, and I could identity with these women.
The film offers an added twist to that of forbidden love between two young women, Kiki, an energetic, fun-loving free spirit with a dark, troubling secret (her admiration and love for an abusive, incestuous brother, Sandu) falls in love with Alexandra, a bright, bookish, idealistic young woman who moves to Bucharest to begin her college studies. Opposites attract, and their personalities seem to complement one another, though there is some tension between the ambitious, studious, intellectual Alexandra and Kiki, who seems to be attending college to please her parents. Keeping their love hidden from their parents seems manageable, though we don't get any sense of the tension it requires, nor do we ever see or meet any other students--hard to believe--and the tension keeping their love secret would have entailed. The chief threat to their love is Kiki's brother and her difficulty in trying to severe her relation to him. But Kiki's love for Alexandra seems to give her the strength she needs to finally severe this bond, or does it? That's what the suspense of the film focuses on as the narrative develops, and I won't say how it concludes.
Ironically, Kiki's love "sickness" isn't love for another woman, but her illicit, incestuous love for her brother. Thus, loving a woman offers the potential cure to the sickness of loving a sibling.
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